|Maria Roberts, Yours Loyally. A Life of Christopher Sclater Millard (2014)|
Anyway, the only reason to talk about the book is that it includes new information about Millard, who not only compiled Wilde's bibliography, and worked for the Burlington Magazine, acted as Ross's secretary, and became an antiquarian book dealer out of necessity, but pursued the life of a Catholic, a Jacobite, and a homosexual. He was convicted twice for homosexual conduct, and spent six, and later twelve, months in jail.
|H. Montgomery Hyde, Christopher Sclater Millard (Stuart Mason). Bibliographer & Antiquarian Book Dealer (1989)|
|Stuart Mason (C.S. Millard), Bibliography of Oscar Wilde (1914)|
On 2 January 1919 Millard wrote to Ledger that the bibliography should have been produced in a limited edition of five hundred copies, as the publisher - after selling most copies - used the unsold gatherings as packing paper. For the binding Millard reproduced the three roundels that Ricketts had designed for Wilde's collected works that were published in 1908. Roberts does not mention this. She seems to think that only 80 copies of these works were published (page 88); of course, besides 80 deluxe copies in vellum bindings, 1000 copies in buckram were issued.
The information on the personalities from the nineties is shallow and full of mistakes. It is suggested, for instance, that Alexander Teixeiro de Mattos was introduced into a circle of former friends of Oscar Wilde after his 1900 marriage to Lily Wilde. Of course, he had known them as early as 1891 (when he co-translated with John Gray a novel by the Dutch writer Louis Couperus, Ecstasy), and Wilde himself wrote him a letter in May 1893 (see The Complete Letters).
Roberts later suggests that John Gray and André Raffalovich were living together in Edinburgh in 1916 when Millard attended mass at Gray's church, but Gray only lived with Raffalovich at No. 9, Whitehouse Terrace in Edinburgh while, nearby, St. Peter's Church and his house were built for him (1905-1907). Another nineties personality, the actor and stage manager Jack Thomas Grein is misnamed John. This kind of errors in a book always makes me nervous: can we trust the quotations from the Ledger letters or the police reports that Maria Roberts presents us in her biography of Millard? Surely, they are revealing and entertaining and absolutely needed to be quoted - even though the police reports must be full of biased views and outright lies, - as we now have been presented with a more rounded picture of Wilde's bibliographer.